Centered around the “weaving of history,” My work strives to rekindle the broken connections between the marginalized groups that I belong to and our collective right to peaceful and natural expressions of humanity and spirituality.

My body of work aims to rebuild the lost histories of Black, Queer, and Femme persons through the process of “Object-making”; A process that involves the making of an object (whether that object be tangible, intangible or a synthesis of the two) to recreate missing narratives and experiences in the form of a finished physical object. “Object-Making” presents itself in my work through collage and assemblage techniques in order to further embed the reality of our composed, yet real, image into everyday practice.

It is through “Object-Making” that the histories of the communities that I belong to are revitalized and re-affirmed to form my (and others) intersectional experiences. Through “Object-making”, I am historicizing and legitimizing Black/Queer/Femme narratives as they exist in the world, through the highlighting of our quintessential Other-ness. My most developed form of object making is through Quilting.

Recently, Object-Making for me has transformed into a new form of practice, that of community organizing and social practice. Midnight Care Collective and Blue Moon Radio are two of my new grounds for play in my budding social practice.